Middlemarch cover
Bildungsromans

Middlemarch

Eliot, George · 1994 · 27 min

Lyrical Fragment on Fading Golden Hours

Lyrical Fragment on Fading Golden Hours A brief lyrical passage opens the chapter, depicting the golden hours turning gray and growing haggard, their white locks streaming in the wind as they slow-turn in a storm-driven, constant clasping round.

Dorothea’s Distress Over Casaubon-Will Alienation

Dorothea’s Distress Over Casaubon-Will Alienation After church, Dorothea’s distress centers on her perception that Mr. Casaubon is determined not to speak to his cousin Will Ladislaw, whose presence at church has sharpened the alienation between them. She had hoped Will’s amiable gesture might lead to a reconciliation, but now feels that hope is lost and Will is banished further than ever by Casaubon’s renewed bitterness.

Dorothea’s Sunday Afternoon Spiritual Despondency

Dorothea’s Sunday Afternoon Spiritual Despondency During the Sunday afternoon hours she usually spends alone in her boudoir, Dorothea opens book after book—from Herodotus and Pascal to Keble’s “Christian Year”—but can read none of them. Everything feels dreary and flat, the spring flowers and grass shuddering under fitful clouds, her sustaining thoughts now wearying her. She hungers for genuine companionship and work directly beneficent like sunshine and rain, rather than the perpetual effort her married life demands. She cannot even visit her sister Celia, who has lately had a baby, and must bear her spiritual emptiness as she would a headache.

Casaubon Requests Dorothea Mark His Research Notebooks

Casaubon Requests Dorothea Mark His Research Notebooks After dinner, Mr. Casaubon, appearing revived, leads Dorothea into the library and presents her with a table-of-contents volume to his note-books. He asks her to read it aloud, pencil in hand, marking each point he indicates, as the first step in a long-considered sifting process. The proposal signals his reversal from reluctance to allowing her to share his labor into a demand for her active, intelligent participation. They read and mark for two hours, after which he asks her to take the volume upstairs for possible late-night continuation.

Casaubon’s Late-Night Posthumous Pledge Request

Casaubon’s Late-Night Posthumous Pledge Request Awakened in the night by candlelight, Dorothea finds Casaubon seated in his gown by the dying embers. She reads to him for over an hour on his mixed heaps of research, his mind now flying like a bird over ground where it had long crept. After closing the book and preparing for sleep in the dark, Casaubon asks her to deliberate pledge—in case of his death, to obey his wishes rather than rely on her own judgment. Dorothea, not taken by surprise, neither refuses nor consents, and Casaubon grants her until tomorrow to decide.

Dorothea’s Conflict Over the Indefinite Promise

Dorothea’s Conflict Over the Indefinite Promise Unable to sleep, Dorothea spends four hours in a wearying mental conflict, weighing the indefinite pledge of devotion to the dead against the freedom she retains while he lives. She has lost faith in the trustworthiness of his Key to all mythologies, recognizing his theory as flimsy, untested by real collisions, and as forceless as a plan for threading the stars. Yet her pity turns toward his lonely laboring past and the trembling sword of death now above him; she cannot bear to crush his bruised heart. She pictures a treadmill of fruitless sorting, and asks herself whether even to soothe his grief, it would be possible to work as she had once hoped to serve something greater. She falls at last into a troubled late-morning sleep.

Dorothea Prepares to Meet Casaubon in the Garden

Dorothea Prepares to Meet Casaubon in the Garden When she wakes, Tantripp urges her to rest, but Dorothea insists on hastening downstairs because Mr. Casaubon particularly wants her. Finding him unwell from the previous day’s excitement and planning a turn in the shrubbery, Casaubon presses again for her answer; she asks to meet him in the garden, buying a little breathing space, and he names the Yew-tree Walk for the next half-hour. Sitting still with unusual passivity while Tantripp wraps her in bonnet and shawl, Dorothea feels she is going to say “Yes” to her own doom—she is too weak and dread-filled to do anything but submit completely. Tantripp’s loving “God bless you, madam” breaks her, and she sobs briefly against the servant’s arm before drying her eyes and going out through the glass door.

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