A Room with a View cover
British

A Room with a View

Forster, E. M. (Edward Morgan) · 2001 · 11 min

The Burden of Secrecy

The narrator reflects on how secrecy distorts one’s sense of proportion, making it impossible to judge whether a secret is truly significant or trivial. For Lucy, the question becomes acute: was she harboring something that would destroy Cecil’s happiness if discovered, or merely a minor incident he would dismiss with laughter? Miss Bartlett, with her dramatic instincts, assumes the former. Perhaps she is correct—the secret has grown into something formidable. Left to her own devices, Lucy would have told both her mother and her fiancé honestly, and it would have remained a small matter. Only weeks ago, it was merely “Emerson, not Harris,” a simple case of mistaken identity. Even now, Lucy attempts to broach the subject during light conversation, only to find her body betraying her with inexplicable behavior, forcing her to fall silent.

Life in London

Lucy and Cecil spend ten days in the “deserted Metropolis,” exploring scenes that will become familiar to them. Cecil believes this exposure to London’s social framework benefits Lucy, even though proper society itself is absent, having decamped to golf links and moors. The weather remains cool, and the experience proves instructive rather than harmful. Mrs. Vyse manages to assemble a dinner party from the “grandchildren of famous people,” serving poor food but impressive conversation characterized by “witty weariness.” The guests perform ennui skillfully, launching into enthusiasm only to collapse gracefully and recover amid sympathetic laughter. In this atmosphere of cultivated boredom, both the Pension Bertolini and Windy Corner seem “equally crude,” and Lucy begins to perceive how her London career will gradually separate her from everything she loved in the past.

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